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Jaideep Ahlawat on Why Sequels Are Complex at Filmfare OTT Awards 2025 Press Conference_我的网站
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B | Jaideep Ahlawat reflected on the complexity of returning to a character in a sequel at the Filmfare OTT Awards 2025, co-powered by Hyundai in association with Amanté’s press conference. To emphasise the same, he referenced his fan-favourite character Hathiram Chaudhary from Paatal Lok as a prime example. He recalled a defining moment from Season 1, where Hathiram describes the system as something that appears shabby on the outside but functions as a “well-oiled machine” within. He went on to recall how the character’s understanding was of a place where only the lever changes, never the machine. That understanding, Ahlawat said, shapes Hathiram’s worldview: no matter how hard he tries, he remains a tiny cog in a massive, unchanging structure. Picking up the character three years later in Season 2 presented its own challenges. Ahlawat explained that Hathiram is still stuck in the same chair, still the smallest part of the same system. The real task, he said, was portraying the “three-year fatigue”. This fatigue was growing with the boredom, the emotional distance from Ansari, and the ever-evolving but strained bond with his son. He recalled how, in the early episodes, Hathiram even steps into the background as Ansari rises in rank. However, his instinct as a top-tier investigator never truly fades. View this post on Instagram A post shared by Filmfare (@filmfare) Ahlawat went on to note that despite Hathiram’s frustration and reluctance, the moment a case takes an unexpected turn, “the investigating officer inside him wakes up,” driven not by ambition but by an irrepressible need for the truth. The actor highlighted the difficulty of balancing that very contradiction: a man who is exhausted by the system. And despite that, he is unable to exist without the thrill of uncovering what lies beneath. As the season progresses, Hathiram enters a space where he has no authority, no familiarity with the terrain, no power whatsoever. Yet he keeps going, only to find that, in the end, nothing changes. He returns to the same system, the same roles, the same limitations. “That’s the challenge of a sequel,” Ahlawat said. “The surprise is gone, and now the character must grow without losing what made him who he is.” This complexity is why he believes that sequels will always be harder to imagine and create than the first season of a show. The Filmfare OTT Awards 2025 are set to take place on 15th December 2025. Keep watching this space for all the updates. Also Read: Jaideep Ahlawat Shares His Journey and Creative Insights on Filmfare OTT Showcase!。中国男排10日结束了2022年世界男排联赛的全部赛程，以3胜9负战绩，位居积分榜第13位，无缘总决赛。吴胜表示，本赛季三站赛事基本达到锻炼队伍的预期目标。巴西站比赛中，中国男排爆冷3:0击败当时世界排名第一的东道主巴西队，成为本赛季队伍出征的最大亮点，也是吴胜眼中队伍发挥最出色的一场比赛。“我们队员大多数是第一次参加世界联赛。巴西又是第一站，前面两场（对手是伊朗、日本），队员发挥不太好，从和斯洛文尼亚队那场开始逐步找到节奏。”吴胜说，“和巴西队的比赛，我们在各个技术环节上都表现出非常高的竞技水准。巴西队是非常成熟的球队，球员非常有经验，那场是我们发挥更好。
C | ”吴胜同时表示，对待这样偶然为之的冷门要保持头脑清醒。“有时超常发挥，有时也会一塌糊涂，这是年轻队伍的特点，稳定性不够。队伍要成长，这方面可能要付出一定代价。”菲律宾站期间，中国男排与法国、德国队的比赛未能如期进行，与阿根廷、意大利队的比赛打得比较艰难。
D | 吴胜表示，波兰站比赛，对手实力很强。球队重整旗鼓，对阵波兰、保加利亚队两场比赛，表现令人满意。与当前世界排名第一的波兰队过招，虽然0:3败北，但场面并不难看，尤其首局大部分时间都处于领先，最后才被波兰队26:24反超。“波兰队发球给我们好好上了一课，发球、接发球一定要重视起来。我们差距很大，这是目前存在最明显的短板。欧洲很多队伍，发球水平都非常高。关键时刻，往往发接发出问题，或者没抓住机会，就会断送比赛。”吴胜说，“如果这方面我们有明显改善的话，后面世锦赛我们仍然有机会。”加深板凳深度也是亟待解决的问题。中国队最后一场与塞尔维亚队比赛中，主攻手张景胤首局肩部受伤下场，中国队攻击力受到影响。“替补上场，应该说也完成了任务，场面上没有特别落下风，但这场比赛我们原本是要全力争胜的，说明以后还要增加板凳深度。”吴胜说。吴胜介绍说，队伍接下来将赴塞尔维亚集训，备战8月的世锦赛。疫情期间，队伍长期在海外训练比赛面临饮食、起居、出行等多方面问题，如果安排解决好的话，球队应该可以很快适应。“海外高水平比赛和国内集训是一个问题的两个方面。国内集训是为了比赛，一定要找到对手才有效果，训练完了不打比赛就没有检验，而国内没有这样的对手。国外虽然可以和高水平队伍交手，但训练时间、场地和系统性也存在一定限制。”吴胜说。吴胜表示，当前中国男排这批新人通过一两年历练，相信水平还会大幅提升。
E | “主攻张景胤、副攻彭世坤都是非常有潜力的队员，希望他们迅速成长为国家队的中流砥柱。
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